“William Romanowski has written another accessible, probing, and stimulating book which engages one of the fastest-growing fields of theological reflection today. Throwing into relief the ways in which movies convey meaning and articulate ‘life perspectives,’ the book will make an ideal ‘way in’ to thinking about film for virtually any Christian reader.” — Jeremy Begbie, Duke University

 

“In this highly engaging book, William Romanowski demonstrates the importance of informed movie watching. Without ever losing the sense of the sheer joy of film viewing, he shows how films are significant and explores how they work. In so doing he reminds us that stories shape us and that Christian stories and Christian thinking interweave with the many stories which make up Western culture.” — Clive Marsh, University of Leicester

 

“Cinematic Faith is the book I didn’t know my college-level film students needed. William Romanowski effectively blends cultural insight, critical evaluation, and honest analysis to make this book a fantastic, faith-based follow-up to Eyes Wide Open: Looking for God in Popular Culture.” — Kimberly M. Miller, professor and department chair, communication studies, Grove City College

 

“This rich and lucid book sheds fresh light on a wide range of American films. By interacting creatively with many cinematic gems, Romanowski helps to reveal the layers of meaning in both classic and recent movies. Full of thoughtful and nuanced interpretations, Cinematic Faith provides a catalyst for empowering engagement, robust reflection, and dynamic discussion about film.” — Jolyon Mitchell, professor and director, Centre for Theology and Public Issues, University of Edinburgh

 

“In Cinematic Faith, Romanowski explores what it means to be a Christian viewer who values the film medium but thinks critically in terms influenced by basic Christian theology. Primarily focused on mainstream films, the book is filled with details and examples that provide a clear understanding of his aesthetic approach. Different aspects of Christian belief are described and applied to specific themes such as gender, form and content, and poetic metafictions, with incisive interpretations of contemporary films. Romanowski’s work is engaging, persuasive, and novel on its own terms: a handy guide for Christians looking to navigate the complexities of the film industry and the culture from which it comes.” —Terry Wandtke, professor of literature and media, Judson University; founder of the Imago Film Festival